Whether you are recording audio in a studio for a song, creating a monologue for a podcast in your home office, or dictating on your desktop for transcription. Make sure you invest in the best pop filter for your microphone type. They are essential to prevent p-pops, negate other plosives, and protect your microphone from saliva and its corrosive effects.
Read ahead for an overview of the features and specifications of five best pop filters.
Looking for a great-sounding microphone? Check out our microphone buyer’s guides:
- Best Condenser Microphones
- Best Dynamic Microphones
- Best Microphone Stands
- Microphones 101: In-Depth Guide to Recording Studio Microphones
- How To Mic Drums: Kicks, Snares, Hi-Hats, and Toms
9 Best Microphone Pop Filters to Record Clear Vocals
Gator Frameworks Metal Screen Pop Filter
The Gator Frameworks Metal Screen pop filter’s metal construction makes it both durable and easy to clean and disinfect after use. And even though it’s made of metal, the Gator Frameworks Metal Screen Pop Filter weighs less than a pound, and is easy to position on any standard microphone stand.
Non-porous metal construction is easy to clean and disinfect after use.
Angled slats direct wind downwards, eliminating pops for clearer vocal recordings 5.63-inch screen accommodates most popular vocal microphones.
5.63-inch metal screen.
Attaches to standard mic stands up to 18mm diameter.
Audio-Technica AT8715 — Best Pop Filter for Audio-Technica AT2020
The form-fitting Audio-Technica AT8715 is the perfect pop filter for the popular AT2020 microphone and other AT-series microphones. The AT8715 attaches directly to your microphone for a sleek look, with no need to attach and position a clunky gooseneck. And the durable metal construction makes the AT8715 easy to clean.
Designed to attach perfectly to AT2020-series microphones.
Sleek, form-fitting design looks great on camera for streaming.
Durable metal construction is easy to keep clean.
Prevents vocal popping for better vocal recordings.
Dimensions: 2.9 x 2.5 x 3.5 inches.
Fits Audio-Technica AT2020USB-X, AT2020USB+, AT2020, AT2020GM, AT2035, and AT2050 microphones.
The ISOVOX IsoPop is one of the most versatile pop filters you’ll find on the market, with two interchangeable filters that allow you to fine-tune your vocal recordings. The IsoPop is available in multiple finishes to suit your style on camera, and the construction is high-quality all the way through for premium feel and performance.
2 interchangeable filters: one for ultra-transparent sound, one with enhanced sibilance protection for natural-sounding de-essing.
Available in different finishes to customize your look on camera.
Ultra-sturdy gooseneck with a layer of soft skin for a premium feel.
Small-sized screen protects vocal recordings without blocking lyric sheets and computer monitors.
4-inch screen diameter.
14-inch gooseneck length.
Includes 2 interchangeable filters (Natural/De-ess).
Available in multiple finishes.
Samson Microphone Pop Filter — Best for Samson G-Track Pro
The Samson Microphone Pop Filter is tailor-made for the popular G-Track Pro USB microphone and audio interface. Stainless steel construction makes it easy to clean, and the form-fitting design looks great on camera with no need to attach and position a gooseneck.
The perfect fit for Samson G-Track Pro USB microphone and audio interface.
Metal mesh screen is easy to keep clean and disinfect.
Form-fitting design protects against p-pops while looking great on camera.
Designed to attach perfectly with Samson G-Track Pro USB microphone.
3.25-inch metal screen.
Metal attachment arms
Stedman Corporation Proscreen XL
The Stedman Corporation Proscreen XL skips nylon and other fabrics and uses a patented metal material to protect your microphone from unnecessary distortions. It is one of the few filters in the market that’s designed to keep the requirements of digital recording in mind.
- A six-inch screen with a rubber bezel around it fitted on a 13-inch gooseneck with a rubberized clamp that grips the mic stand for a firm fit.
- The mesh allows signals of even high frequencies to go through and yet prevents clipping resulting from the bursts of breath accompanying plosives and other hard syllables.
- Very easy to wash and clean, which enhances the life of the filter and ensures proper cleanliness and hygiene in your recording zone
- An angled louvered opening pushes the vocal pops down from the back of the screen, which means audio quality remains unimpacted even if you are standing very close to the microphone.
- Six-inch screen.
- 26.5-inch filter including gooseneck.
- Clamp Range: 9 mm-23.5 mm.
- 13-inch long gooseneck.
Auphonix Blue Yeti Pop Filter – Best Pop Filter for Blue Yeti
If you want a single universal pop filter that will fit and work well on different types of microphones, then your search ends with the Auphonix Blue Yeti Pop Filter.
Its clean black design is extremely pleasing to look at while the double mesh wind screen does a fantastic job of protecting your recording from the damaging effects of plosives, without muting your voice.
- The strong gooseneck stand makes it easy to adjust the filter right where you need it.
- Easy installation to your mic, desk, boom stand, or any other surface.
- The screen is made of durable wire mesh and does a superlative job of filtering out unwanted plosives from your recordings. It controls your loud, sudden sounds, without cutting out your whispers.
- 10.6 ounces weight.
- Gooseneck frame and double mesh screen.
- The 6 inch screen is compatible with all popular microphones.
- Cleaner Audio: This pop filter for microphones helps produce pristine sound quality by filtering...
- Double-Mesh: With a dual-layer mesh screen, the microphone pop filter won't stifle sound or diminish...
- Adjustable Gooseneck: Mounted on a flexible and fully rotational arm. The microphone filter can...
Avantone PS-1 PRO-SHIELD Studio Pop Filter
The Avantone PS-1 PRO-SHIELD Studio Pop Filter has a compact surface designed to follow the shape of commonly-used studio microphones. Its all-metal mesh does a great job suppressing the plosives while the design gives you a clear view of your notes or music sheets without compromising on performance.
It is an extremely lightweight filter, which means you can use it on different microphones and different recording environments without any hassles or problems.
- Your microphone recordings will have virtually no loss of clarity since the metal screen is acoustically transparent and a significant improvement over filters with foam screens.
- Speak as close to the microphone as you want without worrying about interference in your audio since the filter’s design and materials work perfectly under all recording conditions.
- The nine-millimeter gooseneck and clamp assembly is made of sturdy metal and designed to last a long time but is flexible enough to allow for proper positioning over the microphone.
- The easy-to-clean screen, gooseneck, and clamping mechanism ensure you can prevent the buildup of saliva on the filter even in case of frequent recordings in your studio.
- Weight: 9.6 ounces.
- Gooseneck Length: 9 mm.
- Easily washable full-metal screen and body.
- The AVANTONE PRO-SHIELD is the finest studio pop filter in the world!
- The PRO-SHIELD allows close work on a mic to capture a more intimate / full sound without...
- The specially designed curved surface naturally follows the grill shape of studio mics for an...
PEMOTECH Pop Filter
The PEMOTECH Pop Filter skips the one-size-fits-all approach and is designed specifically for microphones with a diameter between 45 mm and 63 mm. This emphasis on design ensures your recordings get the best possible protection from plosives and other audio interferences.
- This pop filter combines metal, foam, and etamine to create the best protective layer for your microphone and audio recordings. This means your recording will be free from all unwanted sounds and pops.
- Just set up the elastic bands and the inner rubber ring to set up this filter. No more tinkering with clamps or metal screws that end up damaging the paintwork of your microphone stand.
- Very stylish look with the metal mesh matching the looks and design of the plastic frame. Looks apart, this feature offers a functional advantage that other filters don’t offer.
- The use of three different materials in the filter offers greater protection from the corrosive effects of the human saliva. This means the filter itself will last long even as the microphone and the recording environment is kept clean at all times.
- Six-inch screen diameter.
- Total filter length of 26.5 inches.
- Clamp range of 9 mm to 23.5 mm.
- Gooseneck Length: 13 inches.
- ▲▲NOT FOR BLUE YETI▲▲ WIDE APPLICATIONS - Our microphone pop filter suitable for 45 mm to 61...
- THREE LAYERS FILTER MIC SHIELD - Three layers design include foam layer, metal net layer and basic...
- MAINTAIN CLEAN - Metal mesh matches plastic frame in a special appearance design. Functionally...
Nady MPF-6 6-Inch Clamp On Microphone Pop Filter with Flexible Gooseneck and Metal Stabilizing Arm
The Nady MPF-6 6-Inch Clamp On Microphone Pop Filter has a double-mesh screen that does a significantly better job of protecting your microphone from saliva and your audio recordings from loud pops and plosives as compared to single-mesh filters.
- Extremely easy to set up, this filter has a long and flexible gooseneck that allows you to set up the filter just the way you want it without compromising on performance or hygiene.
- Ergonomic design with the curved and thick gooseneck keeping the screen positioned perfectly in front of the microphone even as the clamp is fitted well below your line of sight.
- The multi-positional screen rotates 360 degrees, which means the filter’s position can be moved or easily adjusted depending on the angle of the person standing in front of the microphone.
- Six-inch screen diameter.
- 13-inch gooseneck.
- 4.5-inch bracket length and one-inch bracket width.
- Weight: 11.2 ounces.
- Top rated Professional Pop filter for vocal microphones
- Multi-positional windscreen for optimum performance
- Stops plosives and protects your mic
Frequently Asked Questions
How does a pop filter help?
The pop filters job as a noise protection filter for microphones is to reduce or eliminate plosives and fricatives caused by the mechanical impact of fast-moving air on the microphone during recorded speech and singing. A pop filter will essentially act as a screen so you don’t hear ‘P’, ‘B’, and breathing sounds.
Do you need to use a pop filter?
Pop filters are essential to prevent p-pops, negate other plosives, and protect your microphone from saliva and its corrosive effects. You need to use one to avoid having breathing and other unnecessary sounds in your mixes.
How much is a pop filter?
Pop filters range in price from $10 to over $100 for high-quality ones.
How far should the pop filter be from the microphone?
A pop filter should be about 2 – 4 inches away from the microphone while the vocalist should be around 5 – 10 inches from the pop filter.
What is the best pop filter for a blue yeti microphone?
The Final Word on The Best Pop Filters 2022
Even in your fancy studio with your high quality microphone, the wrong pop filter can make your recording sound amateurish. Analyze your requirements, consider the best options in the market, and choose the best pop filter for a great recording experience.