Whether you are recording audio in a studio for a song, creating a monologue for a podcast in your home office, or dictating on your desktop for transcription. Make sure you invest in the best pop filter for your microphone type. They are essential to prevent p-pops, negate other plosives and protect your microphone from saliva and its corrosive effects.

Looking for a great sounding microphone? Check out our microphone buyer’s guides:

Read ahead for an overview of the features and specifications of five best pop filters.

5 Best Microphone Pop Filters Reviewed by Vocalists

Stedman Corporation Proscreen XL

The Stedman Corporation Proscreen XL skips nylon and other fabrics and uses a patented metal material to protect your microphone from unnecessary distortions. It is one of the few filters in the market that’s designed to keep the requirements of digital recording in mind.

Stedman Corporation Proscreen XL - Best Pop Filter


  • A six-inch screen with a rubber bezel around it fitted on a 13-inch gooseneck with a rubberized clamp that grips the mic stand for a firm fit.
  • The mesh allows signals of even high frequencies to go through and yet prevents clipping resulting from the bursts of breath accompanying plosives and other hard syllables.
  • Very easy to wash and clean, which enhances the life of the filter and ensures proper cleanliness and hygiene in your recording zone
  • An angled louvered opening pushes the vocal pops down from the back of the screen, which means audio quality remains unimpacted even if you are standing very close to the microphone.  


  • Six-inch screen.
  • 26.5-inch filter including gooseneck.
  • Clamp Range: 9 mm-23.5 mm.
  • 13-inch long gooseneck.
Stedman Proscreen XL Pop Filter
  • Screen diameter: 6"
  • Length: 26.5"
  • Weight: 10 oz.

Blue The Pop Universal Pop Filter – Best Pop Filter for Blue Yeti

If you want a single universal pop filter that will fit and work well on different types of microphones, then your search ends with the Blue The Pop Universal Pop Filter.

Its curved design and silver finish are extremely pleasing to look at while the metal screen does a fantastic job of protecting your recording from the damaging effects of plosives.

Blue The Pop Universal Pop Filter


  • This filter skips the gooseneck and relies on a metal frame to keep the screen in place in front of the microphone. 
  • The frame is extremely sturdy and can withstand a lot of wear and tear and will retain its strength even after years of regular use.
  • The screen is made of durable wire mesh and does a superlative job of filtering out unwanted plosives from your recordings.


  • 11.7 ounces weight.
  • Metal frame and wire mesh grill screen.
  • The large-sized screen is compatible with all popular microphones.
Blue THEPOP Universal Pop Filter
  • For use with any microphone
  • Helps to reduce or eliminate popping sounds when fast moving air hits the microphone
  • Easily clamps to mic stand for ideal positioning

Avantone PS-1 PRO-SHIELD Studio Pop Filter

The Avantone PS-1 PRO-SHIELD Studio Pop Filter has a compact surface designed to follow the shape of commonly-used studio microphones. Its all-metal mesh does a great job suppressing the plosives while the design gives you a clear view of your notes or music sheets without compromising on performance.

It is an extremely lightweight filter, which means you can use it on different microphones and different recording environments without any hassles or problems. 

Stedman Corporation Proscreen XL


  • Your microphone recordings will have virtually no loss of clarity since the metal screen is acoustically transparent and a significant improvement over filters with foam screens.
  • Speak as close to the microphone as you want without worrying about interference in your audio since the filter’s design and materials work perfectly under all recording conditions.
  • The nine-millimeter gooseneck and clamp assembly is made of sturdy metal and designed to last a long time but is flexible enough to allow for proper positioning over the microphone.
  • The easy-to-clean screen, gooseneck, and clamping mechanism ensure you can prevent the buildup of saliva on the filter even in case of frequent recordings in your studio.


  • Weight: 9.6 ounces.
  • Gooseneck Length: 9 mm.
  • Easily washable full-metal screen and body.
Avantone PS-1 PRO-SHIELD Studio Pop Filter
  • The AVANTONE PRO-SHIELD is the finest studio pop filter in the world!
  • The PRO-SHIELD allows close work on a mic to capture a more intimate / full sound without...
  • The specially designed curved surface naturally follows the grill shape of studio mics for an...


The PEMOTECH Pop Filter skips the one-size-fits-all approach and is designed specifically for microphones with a diameter between 45 mm and 63 mm. This emphasis on design ensures your recordings get the best possible protection from plosives and other audio interferences.



  • This pop filter combines metal, foam, and etamine to create the best protective layer for your microphone and audio recordings. This means your recording will be free from all unwanted sounds and pops.
  • Just set up the elastic bands and the inner rubber ring to set up this filter. No more tinkering with clamps or metal screws that end up damaging the paintwork of your microphone stand.
  • Very stylish look with the metal mesh matching the looks and design of the plastic frame. Looks apart, this feature offers a functional advantage that other filters don’t offer. 
  • The use of three different materials in the filter offers greater protection from the corrosive effects of the human saliva. This means the filter itself will last long even as the microphone and the recording environment is kept clean at all times. 


  • Six-inch screen diameter.
  • Total filter length of 26.5 inches.
  • Clamp range of 9 mm to 23.5 mm.
  • Gooseneck Length: 13 inches.
Pop Filter,PEMOTech [Upgraded Three Layers] Metal Mesh & Foam & Etamine Layer Microphone Pop Filter,Microphone Windscreen Cover,Handheld Mic Shield Mask for Vocal Recording,Youtube videos,Streaming
  • ▲▲NOT FOR BLUE YETI▲▲ WIDE APPLICATIONS - Our microphone pop filter suitable for 45 mm to 63...
  • THREE LAYERS FILTER MIC SHIELD - Three layers design include foam layer, metal net layer and basic...
  • MAINTAIN CLEAN - Metal mesh matches plastic frame in a special appearance design. Functionally...

Nady MPF-6 6-Inch Clamp On Microphone Pop Filter with Flexible Gooseneck and Metal Stabilizing Arm

The Nady MPF-6 6-Inch Clamp On Microphone Pop Filter has a double-mesh screen that does a significantly better job of protecting your microphone from saliva and your audio recordings from loud pops and plosives as compared to single-mesh filters.

Nady MPF-6 6-Inch Clamp On Microphone Pop Filter with Flexible Gooseneck and Metal Stabilizing Arm


Extremely easy to set up, this filter has a long and flexible gooseneck that allows you to set up the filter just the way you want it without compromising on performance or hygiene.

Ergonomic design with the curved and thick gooseneck keeping the screen positioned perfectly in front of the microphone even as the clamp is fitted well below your line of sight.

The multi-positional screen rotates 360 degrees, which means the filter’s position can be moved or easily adjusted depending on the angle of the person standing in front of the microphone.


  • Six-inch screen diameter.
  • 13-inch gooseneck.
  • 4.5-inch bracket length and one-inch bracket width.
  • Weight: 11.2 ounces.
Nady MPF-6 6-Inch Clamp On Microphone Pop Filter with Flexible Gooseneck and Metal Stabilizing Arm
  • Top rated Professional Pop filter for vocal microphones
  • Multi-positional windscreen for optimum performance
  • Stops plosives and protects your mic

Frequently Asked Questions

How does a pop filter help?

The pop filters job as a noise protection filter for microphones is to reduce or eliminate plosives and fricatives caused by the mechanical impact of fast-moving air on the microphone during recorded speech and singing. A pop filter will essentially act as a screen so you don’t hear ‘P’, ‘B’, and breathing sounds.

Do you need to use a pop filter?

Pop filters are essential to prevent p-pops, negate other plosives, and protect your microphone from saliva and its corrosive effects. You need to use one to avoid having breathing and other unnecessary sounds in your mixes.

How much is a pop filter?

Pop filters range in price from $10 to over $100 for high quality ones.

How far should pop filter be from the microphone?

A pop filter should be about 2 – 4 inches away from the microphone while the vocalist should be around 5 – 10 inches from the pop filter.

What is the best pop filter for a blue yeti microphone?

The best pop filter for a blue yeti microphone is the Blue The Pop Universal Pop Filter . The Blue The Pop Universal Pop Filter is high quality metal pop filter that attaches easily to microphone stands and removes unwanted noise from recordings.

The Final Word on The Best Pop Filters for 2021

Having the wrong pop filter in front of your expensive microphone in your fancy studio can result in your entire recording session being rendered useless. Analyze your requirements, consider the best options in the market, and choose the right pop filter for a great recording experience. 

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