9 Best Pop Filters 2023 | Record Clear Vocals

Whether you are recording audio in a studio for a song, creating a monologue for a podcast in your home office, or dictating on your desktop for transcription. Make sure you invest in the best pop filter for your microphone type. They are essential to prevent p-pops, negate other plosives, and protect your microphone from saliva and its corrosive effects.

Read ahead for an overview of the features and specifications of five best pop filters.

Looking for a great-sounding microphone? Check out our microphone buyer’s guides:

• Best Condenser Microphones
• Best Dynamic Microphones
• Best Microphone Stands
• Microphones 101: In-Depth Guide to Recording Studio Microphones
• How To Mic Drums: Kicks, Snares, Hi-Hats, and Toms

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9 Best Microphone Pop Filters to Record Clear Vocals

Gator Frameworks Metal Screen Pop Filter

Audio-Technica AT8715 — Best Pop Filter for Audio-Technica AT2020

ISOVOX IsoPop

The ISOVOX IsoPop is one of the most versatile pop filters you’ll find on the market, with two interchangeable filters that allow you to fine-tune your vocal recordings. The IsoPop is available in multiple finishes to suit your style on camera, and the construction is high-quality all the way through for premium feel and performance.
Features:
2 interchangeable filters: one for ultra-transparent sound, one with enhanced sibilance protection for natural-sounding de-essing.
Available in different finishes to customize your look on camera.
Ultra-sturdy gooseneck with a layer of soft skin for a premium feel.
Small-sized screen protects vocal recordings without blocking lyric sheets and computer monitors.
Specifications:
4-inch screen diameter.
14-inch gooseneck length.
Includes 2 interchangeable filters (Natural/De-ess).
Available in multiple finishes.

Samson Microphone Pop Filter — Best for Samson G-Track Pro

Stedman Corporation Proscreen XL

The Stedman Corporation Proscreen XL skips nylon and other fabrics and uses a patented metal material to protect your microphone from unnecessary distortions. It is one of the few filters in the market that’s designed to keep the requirements of digital recording in mind.

Features

• A six-inch screen with a rubber bezel around it fitted on a 13-inch gooseneck with a rubberized clamp that grips the mic stand for a firm fit.

• The mesh allows signals of even high frequencies to go through and yet prevents clipping resulting from the bursts of breath accompanying plosives and other hard syllables.

• Very easy to wash and clean, which enhances the life of the filter and ensures proper cleanliness and hygiene in your recording zone

• An angled louvered opening pushes the vocal pops down from the back of the screen, which means audio quality remains unimpacted even if you are standing very close to the microphone.  

Specifications

• Six-inch screen.
• 26.5-inch filter including gooseneck.
• Clamp Range: 9 mm-23.5 mm.
• 13-inch long gooseneck.

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Auphonix Blue Yeti Pop Filter – Best Pop Filter for Blue Yeti

If you want a single universal pop filter that will fit and work well on different types of microphones, then your search ends with the Auphonix Blue Yeti Pop Filter.

Its clean black design is extremely pleasing to look at while the double mesh wind screen does a fantastic job of protecting your recording from the damaging effects of plosives, without muting your voice.

Features

• The strong gooseneck stand makes it easy to adjust the filter right where you need it.

• Easy installation to your mic, desk, boom stand, or any other surface.

• The screen is made of durable wire mesh and does a superlative job of filtering out unwanted plosives from your recordings. It controls your loud, sudden sounds, without cutting out your whispers.

Specifications

• 10.6 ounces weight.
• Gooseneck frame and double mesh screen.
• The 6 inch screen is compatible with all popular microphones.

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Avantone PS-1 PRO-SHIELD Studio Pop Filter

The Avantone PS-1 PRO-SHIELD Studio Pop Filter has a compact surface designed to follow the shape of commonly-used studio microphones. Its all-metal mesh does a great job suppressing the plosives while the design gives you a clear view of your notes or music sheets without compromising on performance.

It is an extremely lightweight filter, which means you can use it on different microphones and different recording environments without any hassles or problems. 

Features

• Your microphone recordings will have virtually no loss of clarity since the metal screen is acoustically transparent and a significant improvement over filters with foam screens.

• Speak as close to the microphone as you want without worrying about interference in your audio since the filter’s design and materials work perfectly under all recording conditions.

• The nine-millimeter gooseneck and clamp assembly is made of sturdy metal and designed to last a long time but is flexible enough to allow for proper positioning over the microphone.

• The easy-to-clean screen, gooseneck, and clamping mechanism ensure you can prevent the buildup of saliva on the filter even in case of frequent recordings in your studio.

Specifications

• Weight: 9.6 ounces.
• Gooseneck Length: 9 mm.
• Easily washable full-metal screen and body.

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PEMOTECH Pop Filter

The PEMOTECH Pop Filter skips the one-size-fits-all approach and is designed specifically for microphones with a diameter between 45 mm and 63 mm. This emphasis on design ensures your recordings get the best possible protection from plosives and other audio interferences.

Features

• This pop filter combines metal, foam, and etamine to create the best protective layer for your microphone and audio recordings. This means your recording will be free from all unwanted sounds and pops.

• Just set up the elastic bands and the inner rubber ring to set up this filter. No more tinkering with clamps or metal screws that end up damaging the paintwork of your microphone stand.

• Very stylish look with the metal mesh matching the looks and design of the plastic frame. Looks apart, this feature offers a functional advantage that other filters don’t offer. 

• The use of three different materials in the filter offers greater protection from the corrosive effects of the human saliva. This means the filter itself will last long even as the microphone and the recording environment is kept clean at all times. 

Specifications

• Six-inch screen diameter.
• Total filter length of 26.5 inches.
• Clamp range of 9 mm to 23.5 mm.
• Gooseneck Length: 13 inches.

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Nady MPF-6 6-Inch Clamp On Microphone Pop Filter with Flexible Gooseneck and Metal Stabilizing Arm

The Nady MPF-6 6-Inch Clamp On Microphone Pop Filter has a double-mesh screen that does a significantly better job of protecting your microphone from saliva and your audio recordings from loud pops and plosives as compared to single-mesh filters.

Features

• Extremely easy to set up, this filter has a long and flexible gooseneck that allows you to set up the filter just the way you want it without compromising on performance or hygiene.

• Ergonomic design with the curved and thick gooseneck keeping the screen positioned perfectly in front of the microphone even as the clamp is fitted well below your line of sight.

• The multi-positional screen rotates 360 degrees, which means the filter’s position can be moved or easily adjusted depending on the angle of the person standing in front of the microphone.

Specifications

• Six-inch screen diameter.
• 13-inch gooseneck.
• 4.5-inch bracket length and one-inch bracket width.
• Weight: 11.2 ounces.

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Frequently Asked Questions

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The Final Word on The Best Pop Filters 2022

Even in your fancy studio with your high quality microphone, the wrong pop filter can make your recording sound amateurish. Analyze your requirements, consider the best options in the market, and choose the best pop filter for a great recording experience.